vintage einrichtung wohnzimmer

one, two, three, four, five,six, seven, eight! [upbeat music playing] [woman] â™ª i feel like fire â™ª â™ª i feel like rain â™ª â™ª i can take you higher â™ª â™ª but you gotta earn the name â™ª â™ª oh, oh â™ª â™ª whoo, i'm lit, don't mess with it â™ª â™ª whoo, stand back, let me do... â™ª

â™ª whoo â™ª â™ª hands to the sky â™ª â™ª show me that you're mine â™ª â™ª and, baby, worship me â™ª â™ª worship me â™ª â™ª and get it together â™ª â™ª make it feel good â™ª â™ª uh-huh, whoo â™ª â™ª patiently, quietly â™ª

â™ª faithfully, worship me â™ª [light piano music playing] - [janelle] hey, tal.- hey, what's up? let's go to rey's.i'm starving. move. uh, but mom'scoming to get us. no. mom texted, she saidshe's gonna be working late. again? that's like the third timethis week. yeah, well, you know mom.stashing up money

for our college fundor whatever. - speaking of collegeapplication--- don't, don't, jay. - don't, seriously.- don't what?i'm just being helpful. - no, you're not being helpful.you're being bossy.- i'm not. as usual. seriously, i don't knowhow they get so much bossy in such a-- such a stunted body. first of all-- [scoffs] you may be taller,but i'm smarter,

not to mention older. you're olderby two minutes, okay? that's not even older,that's just-- that's just eager. - how was practice?- i mean, good, but obviouslynot good enough. i don't know why kerrykeeps fighting me on every damn move. oh, i don't know, maybe--

maybe it's 'causeyou're so bossy. whatever.and i am older. listen, the deadlineis next week, okay? i applied for two scholarships,dance and cheer. you have to applyfor at least one. i'm not good enoughto get a dance scholarship. you're justtoo afraid to audition. well, you're gonna haveto get over it, okay? because we're goingto ohio state,

then we're going to lato be dancers. - that's the plan.- whatever. i just don't understandyour lack of ambition. we're just different. you dance to perform,i dance for me. i think thatthat is so selfish, tal. - how is that selfish?- i just think it is-- [indistinct radio chatter] mom? mom!are you okay?! are you okay?!

- [man] whoa, whoa, whoa.- [janelle] what the hellis happening here? - your mother's been arrested.- drug-related offense. [man] easy, ma'am. no, no, no.mom, are you okay? she's been soberfor 10 years. - are you kidding me?- [mother] i'm sorry, baby. are you kidding me?!how could you do this to us? how could you do thisto us again?! - i'm sorry, baby. i'm so sorry.- [janelle] sorry means nothing!

you are so selfish!let me go! tal? - no. she's going away!- [tal] okay. [man] you guys wanna geta couple of things overnight-- can you give usa damn minute?! look at me.look-- look at me. all right? we've been taking careof each other our whole lives. - tal, look at her!- [tal] and it doesn't-- it doesn't matter.right, it's always been just us.

in the womb, all the yearsthat she was using, even the yearsthat she wasn't, it's just us. it always has been,and it always will be. as long as we're together,we'll be all right. no, she's going away, tal! she is.she probably is. and we still haveeach other, right? we still have each other. [sobs]

let's get some stuff. do you rememberwhat he looks like? he was weird. he was all right. when did he even watch us?we were like six. he let me eat marshmallowsfor breakfast and taught you how to playthe sports book. yeah, well,at least he's not in jail. uh...

- [uncle al] hey!- [tal] hey. hey. welcome to atlanta! whoa, you guyshave got so big, bruh! like-- it's like i usedto tell your daddy, you guys lookingmore and more like the mailman every day. [laughs] that was funny.that was funny. let's roll. [woman] â™ª oh, all the time â™ª

â™ª i've been happy â™ª you guys all right? look, i know you've beenthrough a lot, but you're gonnalike atlanta. it's a new start,a fresh start. there's a lotof cool things here. we got the mb stadium, and this is homeof the would-have, should-have,could-have-been dirty bird,

but then mother...lost a 24-point lead. how do you bust a 24 lead? anyway, atlanta's home to manyworld-famous institutions. see? that's what i've beentrying to tell her. but we don't liveby none of that. - [horn honks]- what's up, brad? that's my homeboyright there. see, over here,we got the shoe store, we got the liquor store,pawnshop, church.

cellular store,liquor store, pawnshop, church. gun store, cellular store,liquor store, pawnshop, church. the shoe store,we got the liquor store... see that over there?don't you ever end up like them. them are hookers.that's cindy and sharon. don't ask mehow i know they name, i just do. - [woman] hey, al!- [uncle al] hey, gal!

this is my place. "al's wigs and wangs?" al] voted bestlemon pepper wet wing 2003, 2007. - [tal] "wigs around back?"- boy, you got to havetwo revenue streams. you never know when the whiteman gonna take one from you. [hip-hop music playing,engine revs] one other thing--if you ever see that man in that car in your vicinity,change your vicinity.

i mean that.you hear me? yeah. - what?- this ain't ohio. - sorry.- you find yourselfstaring at someone, it'll be the last thingyou'll ever see. get your ass in the car. [uncle al grunting] - a'ight.- [woman] whoo! what do we have here?

this is my nephew, tal,and my niece, janelle. they're gonna be crashinghere for a while. if she was related to you,she'd be ugly. name's dorrie. if you need anything,holla at ya boy, because, you know,i run this town. that's nice to know. i forgot to tell y'all, we got little blackleprechauns around here.

just step over 'em.quit looking at my niece. haters, man. voila. home. [sighs] well, a little tour.this is the living room. this furniture's vintage,so kind of watch it. this is a dinette room-slash-sunroom, i guess. look, i knowyou guys are here under sometough circumstances... but we're family.

that's why i didn't let yougo to foster care. i wish i could've helpedyour father and your mother more,but i'm helping you guys. okay? i have a couple of rules. education is number onein this house, all right? number two,i don't like idle minds. so, when you're notstudying your books, you'll be doinga weekly shift at wangs.

we have to workat al's wigs and wangs? yeah, and you canthank me later because jobsare hard to come by. um, that's about it. let-- whoa,one other thing. no drugs. janelle,this is your room. i worked on itfor two weeks to make it perfectfor a young lady.

i installedthat ceiling fan, hmm? and this is yours,pimpin'. - huh? [laughs]- yeah, it's nice. listen, i know a playawhen i see one, okay? so, no ladies in here, huh? i'm not gonna be raisingno babies, you know? i see how you roll.it's the jacket. look, make this roomyour room. do whatever you want,

just don't touch my... hey, unpack,get some rest, because you got schoolin the morning, all right? mm-hmm? high-five. maybe next time. [singer] â™ª ooh-wee â™ª â™ª on the block, man, they tell me to go... â™ª he is outof his god damn mind. yeah, well, we don't havea choice, so...

how are we supposed to keep upwith our dancing, and go to school and workat his greasy wing store? this was notthe plan, tal. well, in caseyou didn't notice, life doesn't give a... â™ª take the lords' name in vain â™ª â™ª ain't no tears in my pain â™ª â™ª from the block to the boardroom â™ª â™ª my dudes, man, we reign â™ª

â™ª we reign forever, the code is stick together â™ª â™ª we mash even though â™ª â™ª the forecast is stormy weather â™ª â™ª it's nothing, i mean, a few rainy days â™ª â™ª i mean, it's how we was raised â™ª â™ª most succumb to the pressure, but it's how we was made â™ª â™ª we're different, we're gifted â™ª â™ª like the wheat when it's sifted â™ª â™ª through the muck and the mire â™ª

â™ª their heads down, and we lifted â™ª â™ª now my people is winning, i swear we got it honest â™ª â™ª grind hard through the night â™ª [fades]â™ª same thing in the morning â™ª this mother look likehe got a netflix password. hey, yo, what is it? lone wolf shooter. [man] hey,what are you holding? your antichrist manifesto?

that would be "anarchist,"genius, wouldn't it? - all of you, stop!- get out of here, man. what kind of foolare you?! - [soul music playing]- [door bell dings] - big al.- what's up, dondre? [indistinct chatter,laughter] i know whatshe was talkin' about. this is my nephew, tal.this is dondre. this is dorrie's brother.they live next door.

oh, right.family from ohio, right? - how atl treatin' you? good?- yeah. cool. - 12 straight up?- already know, baby. - what you wanna drink?- let me get a coke. what kind of coke? - mountain dew.- mountain dew? i gotta go way in the backfor damn mountain dew. joseph, where you putti''the mountain dew?!

coke? mountain dew? yeah, we, uh, calleverything a coke down here. it's a southern thing. that makes total sense.it's different here. it ain't so bad. plus, from what i hear, it was it's kindof tough in ohio, too. [chuckles]well... you know. come tonight.got a party business.

music, dancing,cold beverages, the whole neighborhoodshows up. 20 bucks?30 vip? i-- no, no, no. my treat.vip all the way. just ask for dondre. cool.can i bring my sister? yeah. sure thing. uh, maybe we, uh,keep this from the uncle. all right, ohio?

yo, big al,where my mountain dew at? [uncle al] i got yourmountain dew right here. [hip-hop music playing] what, i can't do fun too? no, i'm excited.i mean, you can do fun. it's just since when do youwant to go to a party? since our hot neighborgave me a vip pass. this hot neighbor team talor team janelle? he gave me the--gave me the pass, right?

[singer] â™ª nobody pray for me â™ª â™ª it been a day for me â™ª â™ª way, yeah, yeah â™ª â™ª hey, i remember syrup sandwiches â™ª â™ª and crime allowances finesse a nigga â™ª â™ª with some counterfeits â™ª â™ª but now i'm countin' this parmesan â™ª â™ª where my accountant lives â™ª â™ª in fact, i'm downin' this â™ª

â™ª with my boo bae tastes like kool-aid â™ª â™ª for the analysts, girl, i can buy yo' ass â™ª â™ª the world with my pay stub... â™ª - ohio!- oh, hey, look, that's dondre. [janelle]that's dondre? â™ª pull up on your block, then break it down â™ª that's our neighbor? what's up, man? - took you long enough.- sorry, yeah, we're late.

- you good?- yeah, i'm good. - oh, this must be the sister.- nice to meet you. name's dondre.glad y'all could make it. â™ª my left stroke just went viral... â™ª i promised youvip, right? - yeah.- vip it is. â™ª it's levels to it, you and i know â™ª â™ª be humble â™ª â™ª sit down â™ª

- are you from h-dub?- no, ohio. [dondre] yo, it's cool,big dawg, they're with me. - yeah, we're good.- cool, cool. - hey, king!- yo, what's up? [glass shatters] listen, i got somebusiness to attend to. don't let anybodythrow you any shade. especially these h-dubbers.they think they run the place. like they some kindof stars already.

- okay.- okay. you might wanna take this off.it's hot. what the hell's an h-dubber? i have no clue, but...this party is crazy. yo, yo, yo, king! give me the mic, baby,let me rock out. listen, man,under normal circumstances, i'm down, but it's a paying gigand dondre makes the rules. so you gotta take it upwith him.

yeah, uh-- - [air horn blows]- ooh. - guess it's show time.- crowd cheering] - [upbeat music playing]- ohh! [indistinct shouting] this your beat? who else, bruh? that's fire! [indistinct singing]

[rigo] let's go!let's go! let's go! [cheers and applause] whoo! yeah! all right! that's tight, man. dondre done steppedit up. yeah, i'm telling you,man, everything we do has to be bigger and better. bro, we ain't gonna letnobody sleep on us, you heard?

aah! [laughs] [king] yo, this year, we'retaking over the world, man. we already got how we want it.just need to focus. yeah, uh... f-focus. i'll be right back. - this is so cool.- this is amazing. - not no ohio party.- hey, what's up, little mama? - you want some?- oh, no, i'm okay. nah, you're more than okay.hey, come here.

let me talkto you real quick. hey, hold this real quick. - what?- come on. - appreciate it.- hey... â™ª tonight is the perfect night â™ª [man] â™ª to show me your wild side â™ª â™ª we party on the beach side â™ª â™ª under the moonlight â™ª â™ª show me where to put my hands â™ª

â™ª girl, you know i love when you dance â™ª â™ª show me how you dip and wind â™ª â™ª with so much control â™ª â™ª you got me saying ohh â™ª â™ª oh, baby, you got me praying â™ª â™ª ohh â™ª â™ª please save me â™ª â™ª please, please â™ª â™ª because you know how to break me down â™ª

â™ª the way you drop it â™ª â™ª i love it when you dip low â™ª - â™ª oh, how low can you go â™ª - oh, hell no. â™ª love it when you dip so â™ª oh, i see you makingnew friends. i was just having some fun. you must be confused, boo, in here trying to dancewith my man. look, i don't know what youthink you're doing with him

- and that nonexistent ass--- calm down, man. damn, why you always thinki'm doing something?! - because you are!- hey, hey, hey, hey. don't y'all got schoolin the morning? you need to bringyour ass to auditions so you can...with us this year. why don't you comeon over to high water and see why weare better than you? - ooh.- i'm sorry, did youjust say high water?

what business is it of yours?why is she even still here? sage odom's high wateris here? they all go there. he's-- he's talking abouthigh water. sage odom's schoolis here, tal. - what?- all right. look, we gotta go. dondre, thank you so much,this was amazing. yeah, catch you later. see ya.

â™ª oh, how low can you go â™ª â™ª love it when you dip so low â™ª â™ª and i'm yearning for more â™ª â™ª love it when your hips flow â™ª â™ª so much more than you know â™ª [woman] sage odom, your school is for low-income kids in your old neighborhood, but it's also sort of an experiment, isn't it? [sage] high water is, uh, emphatically not a school.

it's more of an immersive apprenticeship program where kids learn what they need in order to hone their passion and make it pay. art is not a pipe dream. it's not expendable. it's a commodity. it's america's most lucrative export. tal? they're auditioning writers,directors, performance artists, singers, designers,and this week,

they're auditioning dancers,okay? we have to go. i've never auditionedfor anything, okay? - you know that.- don't you see it? maybe all this happenedfor a reason. you think there'sa good reason mom relapsed and went to jailand we ended up here? no, i'm not saying that.i'm saying-- - what?- can't i just be excitedabout something? j, these people are the bestof the best, all right?

they're practicallyprofessionals. let it go. [janelle] i know all of that,but you know me. - i at least have to try.- yeah, i know. good luck convincing uncle al. yeah, well,even uncle al has to see what an amazing opportunitythis is. [sighs] - can't you knock?!- tal, get your ass dressed. god.

no diploma? what good is itif there's no diploma? high wateris pre-professional. it prepares you to makea living an artist. only thing they can prepare youmaking a living as an artist is if you win the lotto. i suggest you workon your education. - and we will see what collegewe can get you into.- i don't wanna go to college. yeah, but you did applyfor a scholarship at ohio state, so...

but college is not gonnaget me where i wanna go. high water is. it's the chancei've been busting my ass for my entire life,i just need your approval. you familiar with that show who wants to be a millionaire? - of course.- my final answer is hell no. you tell them people get thema diploma, then we talk. please don't do this. tal,if i don't at least try,

i will hate myselffor the rest of my life. well, if uncle al finds outand we get split up, i'll hate youfor the rest of your life. - tal--- we had a plan. this is the plan.don't you see? we wanted to get to new yorkto dance, to be famous. who is more famousthan sage odom? yeah, but uncle alcould really throw us out. uncle al is not gonnathrow us out.

i only need his approvalif i get in, and even you said it,what are the odds of that? just cover for mefor one day. oh, come on, janelle. stay awayfrom the cute boy. and if you see the mean girl,run like hell. we get a call tonightwith mom at 7:00. so don't be late, all right?i mean it. kill it.

thank you. hi. are you herefor the dance orientation? - yes. janelle baker.- all right. uh, janelle, it looks likeyour online registration - is complete.- mm-hmm. so today we're gonnahave a tour of high water, followed by a showcasefrom our current students. tomorrow,the audition process begins. for now, just step overwith the other applicants.

okay. thank you. sorry. oh, man.this is insane. yeah. i know, right?i'd kill to meet sage odom. i mean, a chance to learnfrom that dude? - that's crazy.- i'm janelle. - davis.- hi. odalie. - nice to meet you.- hey. i just found outabout auditions yesterday.

really? i've been rehearsingfor about a year. i didn't mean to sound likea freak. - it's okay.- [man] everyone? group's leaving me. i'll catch up with you guysin a bit, all right? excuse me. i'm sorry.excuse me. he's cute. - [laughs]- good morning. you must be my group.welcome to high water.

now, as you know, we are nota traditional art school. we don't have gradesor diplomas. instead,we focus on teaching you everything that you willneed to succeed as an artist in today's world. now, we accept artists16 to 25. is there anyone herewho is under 18? - i am.- yeah, me, too. okay, well, i hopethat you're all aware

that if you don't already haveyour high school diploma, you're gonna need to get itonline or pass the ged. - mm-hmm.- [boy] great. okay.let's get started. [hip-hop music plays] the fashion departmentis integral to every other departmenthere. designers learn the basicsof creating costumes for all kinds of performances.

the videography program focuseson direction and editing. you will be relying onthe students in this department to help you create danceand performance videos to enhance your web presence. since all of you are applyingfor the dance program, you'll be spendingmost of your time in here. where's that fine sisterof yours? she's, uh--she's taking over the world. cool picture.is it a dog?

uh, yeah. it's a-- it's a greyhound. skinny thing. yeah, they're--they're skinny and weird. and other dogs can sense it,so they attack them. you can't take a greyhoundto a dog park because other dogsgo after them. that's some... right? yeah. speaking of...that guy, marquise?

don't mess with him. [tal]trust me, i know. [collette] okay, everyone, let's headinto the performance space. some current high water studentsare gonna show you just how highthe bar's been set here. find a seat.go ahead. [metal clanging rhythmically] [man] â™ª shut the [bleep] up â™ª

â™ª bring it back, back, back, back, back â™ª â™ª bring it back â™ª â™ª what? â™ª [music pauses] [music resumes] i met them last night.she does not like me at all. â™ª shut the [bleep] up, bring it â™ª [music stops,cheers and applause] all right, all right.hello.

if you haven't met me yet,i am collette jones, and i am the headof high water. that great piece was createdby three of our students, king, rigo, and poppy. here at high water,we believe in the value of gifts and the power of hard work,but most importantly, we believe in collaboration. now, this isn'tjust an institution for dancing or singing,creation,

or even performance. high water is purposedto develop and strengthen your giftsin here, so that youcan be an instrument of change out there. okay, any questions? how often is sage odom here? do we ever get to performfor him in person? - [crowd murmuring]- we get that question a lot,

and while high waterdefinitely is sage's vision, he's a very busy man,and so his time is limited. - next question?- [sage] i wouldn'tnecessarily say that. i mean, you do have a pointwith my time being limited. i am a very busy man,but, you know, i could alwaysmake time for a little... [crowd cheering] may i? [clears throat] future of high water,make some noise.

as of late, i've been doinga lot of interviews about high waterand what we're doing here. and it would seemthat they take every opportunity to downplaywhat is happening here, asking me questions like,"is this a vanity project?" mind you, when i say "they,"i'm talking about that they, the they that you'rethinking of right now, you. they don't want youto have art centers. they don't want youto have afterschool programs.

they wanna keep you stupidby having bull music and reality tvin constant rotation. these are the peoplethat keep asking me this same question,this same dumbass question, "sage odom,is this a vanity project?" a question to which i,in my most friendliest tone, - respond with, "no."- [laughter] no, this is nota vanity a project. what this is, is a missionto get the art

back to the peoplethrough the actual artists. [sage] so the answerto the question, "will sage odom be aroundthis semester?" you damn righti'm-a be around this semester! now, the onesthat i find special, students that i find special, i will personally select youto work with me. - [crowd cheering]- oh, yes. oh, yes. hold on, hold on,hold on, hold on.

because see, the studentsthat i find lacking, i will personally walkyour ass out that front door and make surethat you are not in the way for someonethat deserves to be here. - do we understand each other?- [crowd exclaims] - do we understand each other?- [cheers and applause] enough talk, we got work to do!i'll see you this semester! okay, so the fragrancecompany call, that needs to happen nowor it's not happening.

- got it.- did they call yet? - hey. hi.- hey. there she is.god, you look amazing. - how you been?- thank you. thanks. - [grunts]- okay. good to see you. look, do youwanna explain to me... - sage?- why you blew into townand ambushed me on stage and announcedthat you were taking over?

thank you.not taking over. just a little spark,that's all. but we do have a lotto talk about, so i feel likewe should maybe... - okay, so when?- [cell phone buzzing] - what are you doing in town?- i'm gonna-- oh, i-- okay. i gotta take this, but,um, dinner tomorrow night, 10:00, my hotel, yes? you look good.

thanks. whatever. [sighs] okay. six buffalo dry,six nuclear wet - with blue cheese.- [tal] six, six dry? - right, okay.- okay? straight legs. i don't want the flat parts,all right? i do wantthe little leg part. okay, well, they're wings.they'd be arm parts, right? you're gettingsmart with me, man?

you catching some typeof attitude, dawg? - no, man. i--- hey, whereyour manager at, man? - bring your manager out here.- come on, man. i need some real help beforei yelp trash this. what's up, straight-leg ray?go take out the trash. what can i get you right now? the same thingi get every time. - six buffalo dry.- [al] right, right. - six nuclear wet.- right, straight up.

[marquise]what up, east-o? so, marquise, man,i hear on the street you pumping something seriousout here. [marquise] you already knowhow we do it, right? yeah, i see, i see. i see. you know, like,people are telling me, like, "east-o, you need to putthis high school boy down for a job,"and i'm thinking... you already workfor me, right?

[chuckles] yo, now,you got your side hustle and you didn't eventell your boy? how do you thinkthat makes me feel? east, look. no, yo, east-- aah! i'm talking to you,mother... look, man-- ah! you hear mewhen i'm talking to you? [groans]

huh? huh? huh? [gasps] didn't i tell youthis is not ohio? - you see something,you look the other way.- yes, sir. [sighs] i got one god damn job,that's keeping you alive. - one god damn job.- i'm sorry. don't be sorry. be smart. okay. been a parent for 15 minutes. idon't like this.

be smarter, man. [davis] i still can't getover sage odom. i thought i was gonna faint. that dude could be off doing whatever the hell he wants. it's crazy he even spends timewith people like us. i mean, people from his 'hoodwho don't have anything. that whole showcase thingwas next level. yeah, we have to beas good as every dancer

on that stage today. what do you know?it's the mighty hannibal. you likethe old-school stuff? yeah, my pops used to havea sick vinyl collection. we used to play recordsevery sunday morning. - it was kind of like church.- that sounds like fun. you should have usover sometime. - maybe we'll get the spirit.- yeah, i would but, um, we lost the recordsin a move, so...

you know, i used to usea lot of old music back home, you know,when i choreographed routines. wait, you choreographed?what, like for a company? oh, no.for, like, cheerleading. don't laugh.[chuckles] i know people don't lookat cheerleading as dancing exactly, but... no, i have mad respect.i do. i mean,if you led your squad

it means you knowhow it is to work. ladies, i gotta get going, okay?we got a big day tomorrow. oh, yes. - i'm gonna get a refill.- okay. cool. so tell me about ohio. [sighs] ohio.ohio is cold. [tal] yes, of course,janelle will be here next time. yeah, she, uh-- she wanted to skiporientation to talk to you,

but it was methat wouldn't let her. what'd the lawyer say? that's-- it's-- it's fine.that's-- oh, damn,there's the beeps, mom. i-- we're outof time, all right? but i love you, okay?i mean, we both love you. we both love you. [woman] â™ª i hardly ever dream â™ª â™ª it's been so long â™ª

â™ª it's much more vivid than what i remember, oh, lord â™ª â™ª i stand in a moment trying hard to hold on â™ª â™ª each second passes to the past â™ª â™ª and then it's all gone â™ª â™ª hey, now, hey, now, here we go â™ª â™ª ooh, yeah â™ª â™ª wait now, wait now, there we go â™ª â™ª oh, yeah â™ª â™ª yeah â™ª

â™ª to my millennium â™ª â™ª count to a thousand one â™ª â™ª the hearts that came and gone â™ª â™ª love, life, hate, death is my millennium â™ª â™ª and everything i've lost â™ª â™ª i'll keep it close in my millennium, millennium â™ª â™ª my millennium, millennium â™ª [vocalizes] [fades] â™ª oh, lord... â™ª

[sighs] tal, you are not gonnabelieve my day. i've gotta getinto this place! the people areso passionate and-- what's wrong with you? you missed our call with mom. don't pretend you suddenly care,because you don't. o-of course, i care.why wouldn't-- and don't worry,i lied for you. again! you did not have to lie.i just forgot.

they're not going easy, j. she got three years,no good behavior. and it's that long before sheeven gets to go up for parole. have you even thoughtabout what it must be like - for her in there?- of course i thoughtabout it, tal! she's our mother.how could i not think about it? but we need to thinkabout me and you right now. we're the ones heretaking care of us. look, you saidit yourself, okay?

atlanta has a lotof good things going - if you would just comewith me--- yeah, right. yeah. for you. you know what it has for me?it has a school. it has a wing store,and it has an uncle who's keeping me quite literallyin the closet! and what,i'm not allowed to be hopeful even just a little, why,because you're miserable? well, you've alwaysbeen miserable. no. no, you'rejust not allowed

- to be that damn selfish.- excuse me? it's not justmom's thing, you know. [man] â™ª in the middle of the dark â™ª â™ª see your soul shine through â™ª [woman] â™ª see your soul shine through â™ª [man] â™ª always been a rebel breaking all the rules â™ª [woman] â™ª breaking all the rules â™ª [man] â™ª been preparing for this moment â™ª â™ª for all of your life â™ª

[woman] â™ª for all of your life â™ª [man] â™ª hey, put it on all the line â™ª â™ª got the world to lose â™ª [woman] â™ª got the world to lose â™ª [man] â™ª got the world to lose, how do you â™ª â™ª how do you bring the best out of me? â™ª â™ª how do you flow so gracefully? â™ª â™ª don't wanna look away â™ª â™ª you got me lostin a standstill â™ª

â™ª what have you done? â™ª [woman] â™ª what have you done? â™ª [man] â™ª what are you doing? â™ª [woman] â™ª what are you doing? â™ª [man] â™ª oh, what have you done? â™ª [man] â™ª what are you doing to me? â™ª â™ª ain't nothing like a vision coming to life â™ª â™ª hey â™ª â™ª that's more than valuable â™ª

â™ª safe to say priceless â™ª â™ª so priceless â™ª â™ª how do you â™ª â™ª don't wanna look away â™ª [fades] â™ª you got me lost in a standstill... â™ª â™ª uh, another day, another dollar, no â™ª â™ª more like another day, another problem, yo â™ª â™ª homie, my pack is falling down like some dominoes â™ª â™ª wondering on what time i go â™ª

â™ª filled up with dominoes â™ª â™ª and the g to plea the synergy is leaving â™ª â™ª but mentally i'm stilla g, friends can be deceiving â™ª [dj] oh! king of the ais in the building! [crowd cheering,music continues indistinctly] [dj] y'all know what it iswhen sage odom in the building! - we turning up all night, baby!- let's go! what's up, sage? [east-o]sage the virgin!

how you gonna creep upin my hood without a hello? big east-o.what's the word, man? - what's going on, man?- good to see you, sir. yeah, man, it's been a long timesince both of us were sneaking throughthat back door, huh? - we was wild boys back then.- oh, yeah, man. hey, you're doing goodout there, big time, man. - grammys? world tours?- it's crazy, it's crazy. what you been up to,though, man?

you know, same old. hey, rememberwhen we was kids, man, and we madethat whack-ass track? - drop it, bop it.- drop it, bop it. [both laugh] a lot has changedsince then, man. a lot has changed. most definitely. you became a big star

and forgot about uslittle folk, huh? come on, man.don't do me like that. i never forget wherei came from, you know that. yo, i got these beatsyou got to hear, man. - will raise your next level.- okay, all right. - all right, i'll check--- matter of fact, no. let me get your number.talk some business. all right, absolutely.no problem, brother. [man on radio] ...batting in two of those runs.

here is game summary-- atlanta scored 2 runs in the third, one in the fourth. jones with the hot bat tonight... all right, i'll see youat school, tal. - i have a early club meeting.- oh, yeah? what do you got? robotics clubor youth for christ crusade? [chuckles] bye. keeping busy. good girl. [door opens, closes]

ready to doyour thing, ms. janelle? you remembered my name? i asked around.what, you nervous? no, no, just a bad morning. oh, good, 'cause i could takeone look at you and tell you have absolutelynothing to worry about. [chuckles] and if you needanything else around here, just holler at me,all right?

- my name's r--- rigo. i know. hmm!looks and brains. see? told you.nothing to worry about. good luck. [man] all right,listen up, let's go! how you doing?my name is boomer. i'm one of the dance coacheshere at high water. welcome to part oneof our audition process. today, you'll beobserved by myself

and the restof the dance faculty. at any point,you could be eliminated, taking you out of contention. those still standingat the end of this round get to move on to the next.is that clear? - [students] yes.- all right, we call today- the suicide squeeze. - [boomer] that's right.- dancers that survive will continue on this week tocomplete the audition process. - are y'all ready?- [students cheering]

[boomer] let's back it up,let's go, come on! - [applause]- [boomer] yeah, yeah. all right, here we go,this first part, it starts off by going one,two. yeah, next you do a fall outright away. five, six, seven, you hop.one... two. you gotta hop on yourright foot. scoop, scoop. yeah, clean lines. five, six, seven, hop!

one... three, scoop, hop. from here, you're gonna drop.bop. shoop, shoop.pulling this down. [grunts]yeah. turn around. [whooshes] step. give me some attitudein this pop, boom. yeah. strong.very nice. here we go. five... six... five, six, do it again.

hop. hop. scoop it.scoop, scoop. [grunting rhythmically] through! ta ta,pull, round, seven, pop. all right, you guysready to do this? this is whereit matters right now. i'm gonna givegroup one the floor. [boomer] let's go!bring that heat! music! [dance music playing]

[boomer] come on! you can go,thanks for coming. thank you so much.this is it, all right? - [crowd cheers]- group three, let's get it. come on, group three. no, thank you.no, thank you. you're safe, you can go. - you made it through.- thank you. [boomer] you made it.

- they are good.- not as good as us. don't even think about gettingwith that girl, man. you know poppycan't handle that. and when poppy's unhappy, throws off the whole vibeof the group. well, me and poppybroke up, so... i'm serious, man.do nothing to help that chick. we'll be fine, all right? i just wanna play with hera little bit.

[softly] come on, janelle,you're killing me. - [man] these are real, right?- [man] right. that's real, though.that's-- that's real. - yo.- my man. [man] one more timelike that. five, six, seven, you go. one and two and three,four, five, six. hop, hop,you're gonna jump out... on one,clap your hands on two.

guys, hold up, hold up. ladies and gentlemen,mr. sage odom. [applause] well, here you are,the final 40. now, after this round,there will be half of you left. okay. what are we standingaround for? let's go! let's get it going!- let's go! all we gotta do is get throughthis next round. - we got this, right?- hey. cut the chatter,let's get to work.

[woman] all right, group one.to the floor. - let's see you.- [applause] so what,you think you know something? no, man, i-- i don't knowanything, all right? and i didn't--i didn't see anything. [marquise]doesn't matter what you saw. you ain't in the game.you don't know... you're not important.you're just some insect. let's get this...

[man] â™ª let's get to business â™ª â™ª no forgiveness, i'm out for vengeance â™ª â™ª my hunger vicious â™ª â™ª when i finish, i eat the dishes â™ª â™ª i'm from the bottom â™ª â™ª overpowered and underprivileged â™ª â™ª so i came to run it â™ª â™ª i ain't talking physical fitness â™ª â™ª surviving from ashes to rising â™ª

â™ª now it's time that we establish who i am â™ª â™ª i'm riding, i last... â™ª number 77,thank you very much. â™ª to clash with the titans, i'm ready for war â™ª â™ª it's time to feel the force â™ª â™ª kicking in the door â™ª â™ª what you looking at? a boss â™ª â™ª and now i'm ready for war â™ª â™ª 'cause i want it all, and i want it more â™ª

â™ª i don't wanna talk now, i'm ready for war â™ª â™ª time to feel the force â™ª - oh, yeah.- â™ª kicking in the door â™ª â™ª you're looking at a boss â™ª â™ª 'cause i want it all â™ª - â™ª i'm ready for war â™ª - number 62,thank you very much. â™ª i'm ready for war, surviving... â™ª [sage] thank you very much,number 60. â™ª i'm riding... â™ª

84, thank you. â™ª feel to clash withthe titans, i'm ready for war â™ª â™ª it's time to feel the force kicking in the door â™ª â™ª you looking at a boss, and now i'm ready for war â™ª - â™ª because i want it all â™ª - 53, thank you very much. â™ª time to feel the force, kicking in the door â™ª [music fades] all right, 53, you're safe. yes! yeah!

- [screaming]- yo, yo, yo, yo, yo, yo! - [sobbing]- [laughs] i think the insectjust lost his... man, get him the out of here,man, come on, come on. - [odalie] oh, my god!- [janelle] we made it. [davis] we made itto the next round! i still can't believe there'sstill two more rounds to go. i know.i gotta head home though, but i'll see you guystomorrow?

- okay. you killed it.- thanks, you, too. see you tomorrow. all right, y'all. [sighs happily] [clapping] - big congrats, girl.- thank you. now that you're practicallyofficial around here, i'd like to show you around. - [breathing heavily]- [line rings]

look, i was juststanding here thinking, me and you could reallyshut this place down next year. [phone vibrates] please, please pick up.please pick up. please pick up.please pick up. you need to get that? no, i would love for youto show me around. [engine revving] that's my dad right there.

- you want a ride?- um... yeah, sure. come on. [tal sobbing softly] this creativity, these kids,this is where i need to be. [tal] next on step up: high water... - [janelle] who did this to you?- [tal] doesn't matter. go get your dream.one of us should have it. is rico gonna be helpingall of us or just you?

- [janelle] he was justshowing me some steps.- i'm sure he was. your solo auditionis your moment of truth. by the end of today,the new class of high water - will be chosen.- music. [man]made in georgia. - [sharp exhale]- â™ª diba-diba-duh-dee-duh â™ª